Showing posts with label nonfiction. Show all posts
Showing posts with label nonfiction. Show all posts

Wednesday, January 27, 2016

Suggested Reading





When I went begging on facebook for blog post ideas, my dear friend Mel bravely proposed a reading list of books I recommended for writers. Obviously this list could be many pages long, but having too many options tends to lead to inaction. I’d prefer to just give you a small handful of really good ones that you might actually chase up.

First of all, let me preface this by saying I think writers should read all the books on how to write, how to get published, how to market, how to self publish, sociology and psychology they can get their hands on. However, as all these areas are developing at a mind-boggling pace, I suggest you focus on the ones published in the past 5 years.

I also recommend starting with the people you respect, who have vibrant careers, because there is also a lot of misinformation out there. However the more you read, the more you can compare different ideas, theories and tactics. Yes, you end up reading a lot of the same stuff phrased slightly differently. It’s worth it, in my opinion, to actually feel confident about the subject.

That said, here are my very top resources that I regularly refer to:

- On Writing – Stephen King
A classic and one I have re-read dozens of times. He gives fantastic stylistic advice, though I don’t support all of his beliefs RE: talent. A great ‘where to start’ guide when it comes to improving your style.

- Breakout Novelist – Donald Maass
Some of the information in this one is outdated now, and Donald writes very much from the perspective of an agent, when agents were critical to publishing and the literary process. Lots of good advice, but remember when and who it’s coming from.

- Million Dollar Outlines – David Farland
Just keep reading it every single month of your life until you can repeat the whole thing verbatim. Probably more of an intermediate read, rather than for beginners, but there is no one who couldn’t benefit from reading this book.

- 2k to 10k – Rachel Aaron
Short and a little disjointed, as its made up from a heap of blog posts, but an interesting method to try if you want to vastly increase your word count. For best results, commit to doing it 100% her way for a month.

- Make a Killing on Kindle – Michael Alvear
This book comes across as really sleazy, however the advice for marketing and optimising sales on Amazon is practical and effective. You do feel oddly like you are being scammed by a telemarketer while reading it though, which is a shame.

- Happiness by Design – Paul Dolan
A lot of you are already planning to skip this one, because it’s not about writing. Maybe you think you’re already happy, or maybe you hate self help books. However this isn’t a self help book, nor is it promising to make you happy if you read it. This is one of those sociology/psychology books I was talking about, which aims to teach you to understand happiness.

Contrary to the ‘tortured artist’ trope, it’s virtually impossible to have a career as an author if you are unhappy. Those romanticised tortured artists? Most of them only produced a handful of works in their time and fewer still made enough money to survive off those works. To have a career, you need to produce work quickly and confidently. Being stressed, depressed, anxious or overly dramatic makes that very unlikely.

I consider my physical and mental health to be about 50% of my production. The rest is discipline and planning. So I consider understanding happiness to be AT LEAST a quarter of my work. To make up the other 25% of that equation, I also recommend:

- The CSIRO Total Wellbeing Diet – CSIRO
Which lists the foods, portions and exercises you should do to maintain optimum health. Not to lose weight, not to feel good, not to look amazing, just to be the healthiest you can be. There are also five recipe books, so you can never, ever possibly be bored with the options. Because my diet is stupid limited, and I like to cut out unnecessary decision making, I just have 2-3 lunches and 2-3 dinners I eat every day that meet the dietary requirements outlined.

Don’t think of happiness and health as being part of a separate system to writing.  Happiness, health and writing are all brain things and as much as we think of ourselves as being more than a lump of meat, the brain is an organic organ, literally just meat tissue, and it is bound by the same physical limits as, say, your lungs and colon. Since we’re on the topic, it’s worth noting, any deprivation of calories, is going to mean energy is redirected to critical systems like running the heart and muscles, so you will have less thinking energy. Diets are bad for writing. Empty calories in junk food are even worse for writing. EAT HEALTHY. (Literally just had soda and chocolate for breakfast. Do as I say, etc)

I’d also like to list about 8000 psychology and sociology books, but they can be tricky to track down. So instead, just go to your local library and read everything they have, starting with the newest titles. Also buy copies of The Man Who Mistook His Wife for a Hat – Oliver Sacks & The Naked Ape – Desmond Morris because everyone should own those two, despite their age.

In a few more weeks, I’ll be getting back to my character series. Then I may do an extended series on productivity. However, before then, is there any one-off topics you would like me to cover on the blog? Hit me up on facebook or post a comment here with suggestions.

Saturday, March 17, 2012

Genres

I’m kind of baffled by the utter panic and confusion people feel about genres. When people are telling me about their books, they often say they don’t know what genre it is, like it's some magical defining element beyond the scope of their knowledge.

Genres serve two purposes.

1. They tell the bookstore staff where to put the book so readers can find it.
2. They tell agents and editors who the target audience is.

That’s all. Genres aren’t magical. They aren’t indicative of what sort of person you are. They aren’t complicated.

You want your book to go with other books like it, because people who like those books will go to that section when they want to buy something. If your novel is mostly sci fi and you sell it as a horror, the people who read horror will be pissed off at you and the people who want to read sci fi, but don’t like horror, will never see it.

So your genre is one or two words that you would expect to see dividing sections in a book store. Horror, romance, fantasy, health, cooking, etc. That way people who want to find your book can read it.

If your novel is a romance, publishers will know the target audience is mostly woman who like romance. They will help you decide on a title and design you a cover that appeals to women who like romance.

When it comes to publishers and agents, your genre should be fluid. For example: The Hungry People is, by my definition, a horror. However, if an agent didn’t like horror, I wouldn’t feel sleazy calling it a ‘paranormal thriller.’

So your novel isn’t a ‘romantic post apocalyptic thriller’, it’s just a thriller, or a sci fi. Calling it a 'romantic post apocalyptic thriller’ would drastically limit your audience.

Don’t be ashamed, don’t be pretentious, your genre is JUST your location in a book store. Simple.

Copyright. Talitha Kalago. 2010

Updated 2012.

Quick and Nasty Guide to Publication

This is a very quick guide to publication terms for those who are completely clueless. We’ll look at short stories, novels and non fiction respectively, then I’ll clarify some terms for those who are still completely confused. Even if you are only interested in something specific, I suggest you read this entire article, as it’s written to be read as a whole.

It’s important to remember publishing is a business. For whatever reason you want to be published, the publisher want to make money selling great books (or magazines). Proper grammar and spelling are vital when trying to sell manuscripts as it costs publishers money to have them edited – and they’re not going to buy if you are costing more than you’re making them.


SHORT STORIES:

To sell a short story you need to complete and edit it before you consider submitting. Then it’s a simple process of finding magazines who publish short stories in your genre and checking their submission guidelines. They may want you to send a query letter, they may want you to send a partial or they may simply want the full story with a cover letter. I’ll explain queries, partials and cover letters at the end.

You can use Duotrope.com to search for magazines and e-zines.


NOVELS:

Novels are similar to short stories. First you must write the manuscript and edit it until it is AS PERFECT as you can make it. Then, it is advisable you seek an agent. Querying agents is much like querying magazines. You look them up to see what genres they handle and what their submission guidelines are. Typically they will ask for a query first. If they like the query, they request a partial and if they like the partial, they request the whole manuscript. If they like that, they offer you representation.

Good agents never charge you a fee. They make their money when they sell the novel to a publishing house and take a percentage of your earnings. Typically around 15% to 20%. They will also charge you a housekeeping fee for the money they spent on paper, phone calls and stamps on your behalf – this also comes out of your earnings. This should not be any more than $300.

Agents then sell your work to acquisition editors and organize your contract. They may also hold an auction with several editors at several publishing houses to get more money – after all, the more you get, the more they get.

(Of course, many authors are choosing to self publish these days, but that is a tutorial for another day. If you would like to self publish, you should totally hire me to format your e-books for you. Particularly if you think blatant self promotion in the middle of a tutorial is charming.) You can read more about it here.


NON FICTION:

Publishing nonfiction (cooking books, self help books, etc) follows much the same route as fiction; however you do not have to write the whole manuscript first. You do need to write several chapters and completely map out the book, so that when you sent the partial the agent can see exactly what they book will look like. In nonfiction, your focus of your sales pitch is not the plot of the story, but how YOU will be able to promote the book. Are you a world famous chef selling a cooking book? Generally being world famous in something helps if you’re trying to sell nonfiction and it’s honestly not my area.


QUERY LETTERS:

Query letters are deceptively simple in their layout, for they are exceptionally hard to write and one of the most important parts of the publishing process for a writer. They are the first thing an agent or editor sees and they are the easiest part for them to say no to. They have to be perfect and brilliant and near divine. So they give most writers the complete horrors.

When writing a query letter, the process is as follows:

1. Follow proper businesslike letter format.

2. Get the agent or editors name right.

3. The first paragraph is an introduction. You say you are seeking representation for your novel or story. You give the title of the novel, the genre, the word count and it’s wise to state that it is complete.

4. The second paragraph is a blurb, much like those on the back cover of novels, which summarizes the plot. (The intro and the blurb can be switched if you prefer to open with your pitch.)

5. The third paragraph introduces you. You list any previous publications you’ve had and say something relevant about yourself in relation to the novel. Do not talk about pets, children, husbands or your job – unless you wrote about a police officer who marries a billionaire and you ARE a police officer who married a billionaire.

6. Then you list your contact details. That’s it. Three paragraphs – and they all need to fit on one page. Two pages are too long for a query letter. Painful, huh?

The only exception to these rules is if your last novel was a best seller. Then you open with that, instead of information about the new novel. Also note you cannot lie about anything in a query letter. The agent will find out then even if they accepted you, they will ditch you. Agents do not love liars.

Again, if you don’t want to write your own query letter, it is a service I offer. My prices are good and I have great results. You can read more about it here.



PARTIALS:

Partials, after the horror of query letters, are positively dreamy. They are, quite simply, a cover letter stating what you are sending (name, word count, genre) and why (they asked for a partial on DATE), a two page synopsis of the novel and yes you have to give away the ending and three chapters of the book. If it is fiction, it is the first three chapters, if it is non fiction; it is any three chapters you like.

Many people find the two page synopsis terribly difficult to make coherent and interesting. Often these are passed around at acquisition meetings, so they should appeal to people who have not seen the query or read any of the chapters. Writing partials (and editing early chapters) are also services I offer, and you can read more about it here.



And that is the quick and nasty guide to publication. Questions?


Copyright Talitha Kalago. 2007.

Edited 2012